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9/26/22

By Jessica Weiss ’05

Fresh out of undergrad and working in advertising in Chicago in the late 2000s, Catherine Knight Steele found an online escape from her cubicle—in the blogosphere. Each day, she soaked up musings on topics ranging from gossip and entertainment to beauty and motherhood, written mainly by Black women. Not only did the content fascinate and enliven her, but it began to feel essential to her sense of personhood—like home. 

Steele became so interested in these online spaces that she began to wonder whether she could pursue research on them. There weren’t many examples at the time of scholars of color working at the intersection of race and digital media, so Steele paved her own way, returning to graduate school for a Ph.D. in communication. Her dissertation, “Digital Barbershops,” focused on the politics of African American oral culture in online blog communities, tracing the ways that Black people have long found spaces outside the purview of the dominant group. 

Now an associate professor of communication at UMD, Steele is committed to building community and expanding opportunities for a new generation of scholars in the burgeoning humanistic field of Black digital studies—the ways that technology impacts and intersects with Blackness and the lives, histories and cultures of Black Americans. Through her research and publications, collaborative projects and teaching, Steele wants people—and especially Black women—to know that if they’re interested in Black communication and technology, there’s a space at UMD for them.   

“I’ve been very fortunate and privileged to get to this place, and now I have a sense of responsibility and a debt to pay to those on a similar path,” she said. “I want to help people find their people, find their passions and drive themselves forward in spaces they’ve been boxed out of.” 

A native Chicagoan, Steele has long been interested in technology—but is the first to admit she’s not “techie” in a traditional sense. She remembers learning to type as a young girl using “Mavis Beacon Teaches Typing” on the family’s computer and was among the first batch of students to get Facebook in college, “back when you had to have a .edu address.” Mostly though, technology has been a tool to express herself and find belonging. 

After she received her doctorate from the University of Illinois at Chicago in 2014, she served as an assistant professor at Colorado State University before coming to UMD in 2016 as the founding director of the Mellon-funded African American Digital Humanities Initiative (AADHum). The multi-year initiative encompasses research, education and training at the intersections of African American history, culture and the digital humanities—what’s often called Black digital humanities, or “BlackDH.” For three years, Steele and her team worked especially to create a community among those at the graduate and faculty levels in a range of disciplines and with varied interests. They organized workshops, panels and reading groups, hosted a conference, launched the first cohort of AADHum scholars and more.

“Catherine brought to life what was then a collection of plans and hopes,” said Trevor Muñoz, the director of the Maryland Institute for Technology in the Humanities and AADHum co-principal investigator. “She nurtured a scholarly community that encompassed and was genuinely interested in many different approaches to the study of Black life through and with technology.” 

Steele dove back into her dissertation research, but with a renewed focus on Black women and Black feminists and how they’ve transformed technology over centuries. Using both historical and archival analysis and empirical Internet studies methods, Steele’s first book, “Digital Black Feminism,” was published in 2021 and offers a throughline from the writing of 19th-century Black women all the way to modern-day bloggers and social media creators. The book won the 2022 Nancy Baym Book Award from the Association of Internet Researchers (AoIR). In its announcement, AoIR said the book “reclaims feminism for Black women and directly intervenes in Internet scholarship.”

For Steele, the best part of publishing “Digital Black Feminism” has been the resultant conversations. From high school book clubs and a community college Black feminism course, to graduate programs in digital studies and feminist studies, it’s been used in “a variety of different generative spaces of conversation,” she said. 

At UMD, Steele teaches courses on digital studies, media theory, methods in media and digital research, Black discourse and digital media and more. She recently became the director of Digital Studies in the Arts and Humanities, or DSAH, an interdisciplinary graduate certificate jointly administered by the College of Arts and Humanities and the Maryland Institute for Technology in the Humanities. She’s part of the inaugural cohort of the “Breaking the M.O.L.D.” initiative, which seeks to prepare underrepresented arts and humanities faculty from UMD, the University of Maryland, Baltimore County and Morgan State University for institutional leadership. And she’s working on three simultaneous collaborative book projects.

She was also recently named a Higher Ed IT “Influencer to Follow” by EdTech Magazine. 

These days, Steele is focused on launching a new space on the third floor of the Skinner Building for anyone with an interest in Black digital studies. The Black Communication and Technology—or BCat—Lab will feature tables for workshops and writing sessions, a sofa and comfy chairs for reading from a Black digital studies library and a big screen for virtual workshops, lectures and events. 

It’s part of the Mellon Foundation-funded Digital Inquiry, Speculation, Collaboration, & Optimism (DISCO) network, a collective of six scholars at institutions across the country that are “envisioning an alternative and inclusive digital future.” Each is leveraging their own areas of expertise to establish new research hubs, courses and more at their institutions. All the while, they are working together to share knowledge and experiences. 

At UMD, the BCaT Lab will develop a program model to introduce undergraduates to digital research through workshops and coursework, help students carry out graduate research and find jobs and create a mentoring network for students and faculty to navigate Black digital studies, focusing on collaboration across generations of researchers. 

Doctoral student Alisa Hardy, a graduate assistant at the lab and Steele’s advisee, has been working to spread the word about BCaT on campus and beyond. She said students—and Black students especially—are eager for a space to talk about technology, “and write together and learn together.” 

“Working on the BCaT project has really fostered my own Black identity as a digital scholar,” Hardy said. “When I came to UMD, I wanted to study digital communication but I didn’t know if I had the tools, understanding or perspective. Working with Catherine has opened my mind up to so many other possibilities. Seeing this lab and how it's come to be—it’s inspiring. It makes me think I could do something similar one day.”

Among the lab’s upcoming events: BCaT will host a panel discussion this semester for early career scholars on writing a first book manuscript, which will feature published authors and an acquisition editor from a major academic press. Participants will then be invited to a weeklong workshop on writing the book proposal. It will also begin the “BCaT Writes Open Lab,” where undergraduate students, graduate students and faculty gather to write their own projects.

Eventually, Steele hopes to introduce students in Prince George’s County high schools to the field of Black digital studies and encourage future scholarship.

Her message for interested students: “There’s a place in the humanities where you can do what you want to do—where you can be of service to this community, and that’s in Black digital studies,” she said. “There is a wide range of possibilities with a graduate and undergrad degree with this background and skillset.”

“We need to show what that path looks like and provide branches along the way,” she added. 

Steele will be in conversation with ARHU Dean Stephanie Shonekan on September 28, 2022, (on Zoom) to discuss “Digital Black Feminism” and how to marry digital research with historical and archival work as we consider a path for the humanities in the digital age. Learn more and sign up.

5/3/21

By Jessica Weiss ’05

The Andrew W. Mellon Foundation has awarded $1.4 million to expand the reach of Enslaved: Peoples of the Historical Slave Trade (Enslaved.org), a database containing records on hundreds of thousands of individuals living in the era of the historical slave trade—including enslaved peoples as well as enslavers. Headquartered at Michigan State University, the project is co-led by University of Maryland Associate Professor of History Daryle Williams.

Enslaved.org, which formally launched December 1, 2020, links data collections drawn from multiple universities, archives, museums and family history centers. The new grant will see the addition of at least 60 additional datasets, totaling hundreds of thousands of records of individuals. That data can be used to reconstruct stories and biographies of the lives of the enslaved and their families and communities.

“Even in dealing with systems organized around violence and the commodification of bodies, the records can be used to understand people and families and aspirations and frustrations,” Williams said. “We can connect to the emotive pieces of these stories as well. There is so much that is important and knowable about these lives.”

The Mellon Foundation funded the initial two phases of Enslaved.org—the first beginning in 2018 and the second in 2020—which provided support for both proof-of-concept and implementation. Phase II also saw the launch of the project’s peer-reviewed Journal of Slavery & Data Preservation (JSDP). The JSDP and the wider Enslaved.org site are already being used by scholars, as well as by family historians, genealogists, K-12 teachers and more.

The third phase of funding, which will run through March 2023, will refine the site’s data infrastructure, ensure a dedicated team and continue partnerships with scholars, heritage and cultural organizations and the public.

Phase III is a collaborative effort between MSU’s Matrix: Center for Digital Humanities and Social Sciences; the College of Arts and Humanities at the University of Maryland; the Hutchins Center for African and African American Research at Harvard University; the Omohundro Institute of Early American History & Culture; and the Center for Artificial Intelligence and Data Science at Kansas State University.

The grant also strengthens a commitment to the inclusion of underrepresented voices in humanities scholarship, through funding new hires and a summer research pilot program, which will support four graduate students—from MSU, UMD and the College of William & Mary—from underrepresented groups to work on the project.

This new round of funding is the latest in a series of Mellon investments into research projects at the University of Maryland or involving Maryland researchers.

Since 2016, the foundation has provided over $3 million to fund the African American Digital Humanities (AADHUM) initiative at Maryland.

Another $800,000 is supporting the development of user-friendly, open-source software capable of creating digital texts from Persian and Arabic books.

Bonnie Thornton Dill, dean of the College of Arts and Humanities and professor of women’s studies, is among researchers on a $695,000 grant from the foundation to fund the Humane Metrics for the Humanities and Social Sciences (HuMetricsHSS) initiative.

A $1.2 million grant currently supports Phase 2 of Documenting the Now, led by the Maryland Institute for Technology in the Humanities (MITH).

And a recently announced $4.8 million grant will fund the Digital Inquiry, Speculation, Collaboration, & Optimism (DISCO) network, which includes UMD Assistant Professor of Communication Catherine Knight Steele.

Photo info: "Plantation Settlement, Surinam, ca. 1860", Slavery Images: A Visual Record of the African Slave Trade and Slave Life in the Early African Diaspora, accessed May 3, 2021, http://www.slaveryimages.org/s/slaveryimages/item/1396

5/4/21

By Jessica Weiss ’05

The National Endowment for the Humanities has awarded grants to projects involving two University of Maryland historians to expand a massive digital database on the transatlantic slave trade and investigating the desegregation of mass transit in New York City.

Department of History Professors Daryle Williams and Richard Bell are benefitting from $24 million given last month to support 225 projects at museums, libraries, universities and historic sites across the country.

Williams is part of the multi-institutional team awarded $349,744 to add 10 digital collections to Enslaved: Peoples of the Historical Slave Trade (Enslaved.org), an online portal launched last year with records on hundreds of thousands of individuals involved in the historical slave trade.

Among the new collections are records from the Maryland State Archives’ Legacy of Slavery in Maryland project, which includes primary resources like newspaper ads, committal notices and census records related to Black Marylanders, fugitives and those who assisted slaves on the run in the state. Researchers will work to integrate those records into the Enslaved.org platform, where they can be used by scholars, family historians and the general public.

“This is a great opportunity to know more about slavery right here in Maryland—to know more about ourselves,” said Williams, who is a co-principal investigator at Enslaved.org. “We can’t understand the history of the state without talking about the impact of enslavement here. And these are really rich materials to do that.”  

Other additional data sets, which range from those held at small, local institutions to those at large, university-based special collections in the mid-Atlantic, the Carolinas and the Lower Mississippi, will increase the Enslaved.org linked open data platform to approximately 1.3 million records.

The funding will also go in part toward supporting undergraduate researchers who will work on the project as part of the Summer Research Opportunity Program, a long-standing pipeline collaboration among member institutions of the Big Ten Academic Alliance.

Another $6,000 will support Bell as he works on his next book, “The First Freedom Riders: Streetcars and Street Fights in Jim Crow New York.” It will tell the story of Elizabeth Jennings, a 25-year-old New Yorker who launched the first successful civil disobedience campaign in U.S. history. On July 16, 1854, Jennings stepped onto a ‘whites-only’ streetcar on Third Avenue, becoming the first among a small army of young Black women and men to fight to forcibly desegregate mass transit in New York City.

“Her story got under my skin—not only because it was dramatic and significant, but also because it reminds me that Black women have often been at the center of this country’s most important civil rights fights,” Bell said.

Recently named a 2021 Andrew Carnegie Fellow by the Carnegie Corporation of New York to support his work on the book, Bell will use the new NEH funds to travel to out-of-state archives for research.

“I’m eager to get back into the stacks and reading rooms, where the true riches for a project like this definitely rest,” he said.

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The Andrew W. Mellon Foundation has awarded $1.4 million to fund the third phase of Enslaved.org, which will refine the site’s data infrastructure, ensure a dedicated team and continue partnerships with scholars, heritage and cultural organizations and the public.

The Mellon Foundation funded the initial two phases of Enslaved.org—the first beginning in 2018 and the second in 2020—which provided support for both proof-of-concept and implementation. Phase II also saw the launch of the project’s peer-reviewed Journal of Slavery & Data Preservation.

This new round of funding is the latest in a long series of Mellon investments into research projects at the University of Maryland or involving Maryland researchers.

Among them, the foundation has provided over $3 million since 2016 to fund the African American Digital Humanities initiative at Maryland, and a recently announced $4.8 million grant will fund the Digital Inquiry, Speculation, Collaboration, & Optimism (DISCO) network, which includes UMD Assistant Professor of Communication Catherine Knight Steele.

4/16/21

By Jessica Weiss ’05 

$4.8 million grant from The Andrew W. Mellon Foundation will fund a new lab at the University of Maryland to facilitate research and scholarship at the intersection of race and technology, and to develop a pipeline program to introduce undergraduates and those in the local community to the field of Black digital studies. 

The Black Communication and Technology (BCaT) Lab is part of a new multi-institutional project led in part by UMD Assistant Professor of Communication Catherine Knight Steele that seeks to work toward an “equitable digital future” through engaging in research on topics like racial inequality, disability justice and Black digital spaces.

The Mellon Foundation grant to the University of Michigan, which is leading the project, will create the Digital Inquiry, Speculation, Collaboration, & Optimism (DISCO) network, a collective of six scholars at institutions across the country.

Steele’s focus, Black digital studies, encompasses the ways that technology—both its possibilities and impediments it can create—impacts African Americans. 

“In this political climate and our post-COVID world, it’s exactly the time for a project like this,” said Steele, who is collaborating with Lisa Nakamura and Remi Yergeau of the University of Michigan, André Brock of the Georgia Institute of Technology, Rayvon Fouché of Purdue University and Stephanie Dinkins of SUNY Stony Brook University on the grant. 

As with the BCaT Lab, partners will leverage their areas of expertise to establish new research hubs, courses and more at their institutions, and will share best practices through monthly meetings. 

At UMD, the BCaT Lab will develop a program model to introduce undergraduates to digital research through workshops and coursework, help students carry out graduate research and create a mentoring network for students and faculty to navigate Black digital studies, focusing on collaboration across generations of researchers. 

“In addition to teaching how to do research in race and technology, the BCaT Lab will explore how to create an effective pipeline of people of color working in the field,” Steele said. “How do we create and sustain a network of scholars who have adequate support, quality instruction and access to mentoring and advising, to move the field in a productive new direction?” 

Eventually, Steele hopes to introduce students in Prince George’s County high schools to the field of Black digital studies and encourage future scholarship.

Steele was the founding director of the Andrew W. Mellon funded African American Digital Humanities (AADHUM) initiative at Maryland, which brings together the fields of African American studies and digital humanities in order to expand upon both fields, making the digital humanities more inclusive of African American history and culture while enriching African American studies research with new methods, archives and tools. 

Her forthcoming book, “Digital Black Feminism,” examines the relationship between Black women and technology over the centuries in the U.S. 

The BCaT Lab will be up and running in Fall 2021, working with undergraduate and graduate students and hosting events, Steele said. A postdoctoral fellow will begin in the lab next year.  

2/1/21

Enslaved.org is a project that explores and reconstructs the lives of people who were enslaved, owners of enslaved people or took part in the slave trade. News4’s Pat Lawson Muse spoke with University of Maryland associate professor of history Daryle Williams, Ph.D.

 

 

Click below to view the full interview:

 

University of Maryland, College Park
Thursday, October 18, 2018 - 8:00 AM to Saturday, October 20, 2018 - 7:00 PM

Join the first national conference of the African American Digital Humanities Initiative at UMD.

The David C. Driskell Center, 1214 Cole Student Activities Building
Wednesday, March 14, 2018 - 12:00 PM to 1:30 PM

Join African American history and culture scholars in dialogue with emerging leaders in black digital studies.

0301 Hornbake Library
Thursday, March 08, 2018 - 3:00 PM to 4:00 PM

Join the Fembot Collective for a lecture on W.E.B. Du Bois and the politics of literary recovery.

McKeldin Library, Rooms 6103 and 6107
Friday, March 09, 2018 - 10:30 AM to Saturday, March 10, 2018 - 4:30 PM

Join the Fembot Collective and our partners for the 2018 Fembot Wikipedia Edit-a-Thon!

1/30/17

ANNOUNCING THE SOCIETY FOR TEXTUAL SCHOLARSHIP’S 2017 CFP  

 

The Maryland Institute for Technology in the Humanities (MITH) and the Andrew W. Mellon-funded African American Digital Humanities Initiative (AADHum) invite your participation in “Textual Embodiments,” the Society for Textual Scholarship’s International Interdisciplinary Conference for 2017.

 

Date: Wednesday, May 31 - Friday, June 2, 2017

Location: University of Maryland, College Park, Maryland USA

Program Chairs: Neil Fraistat, Purdom Lindblad, Catherine Knight Steele, Raffaele Viglianti

Deadline for Proposals: February 26, 2017

Keynote speakers: Marisa Parham (Amherst University)

                       Susan Brown  (University of Guelph)

 

Our conference theme is "Textual Embodiments," broadly construed. With this theme we hope to engage a range of issues involving the materiality of texts, including their physical, virtual, or performative manifestations as objects that can decay or break down and can potentially be repaired and sustained over time. It also concerns the processes of inclusion and exclusion through which bodies of texts take shape in the form of editions, archives, collections, and exhibition building, as well as the ethical responsibilities faced by textual scholars, archivists, conservationists, media archeologists, digital resource creators, and cultural heritage professionals engaging in these processes.

 

As always, the conference is open to submissions involving interdisciplinary discussion of current research into particular aspects of textual work: the discovery, enumeration, description, bibliographical analysis, editing, annotation, mark-up, and sustainability of texts in disciplines such as cultural studies, literature, history, musicology, classical and biblical studies, philosophy, art history, legal history, history of science and technology, computer science, library and information science, archives, lexicography, epigraphy, paleography, codicology, cinema studies, new media studies, game studies, theater, linguistics, and textual and literary theory. Considerations of the role of computational methodologies, tools, and technologies in textual theory and practice are of course welcome, as are papers addressing aspects of archival theory and practice as they pertain to textual criticism and scholarly editing.

 

Especially welcome are interdisciplinary papers addressing the theme of Textual Embodiment in the fields of Black Diaspora Studies, Indigenous Studies, LGBTQ Studies, Latinx Studies, Disability Studies, Women’s Studies, and Critical Theory.

 

Submissions may take the following traditional forms:

1. Papers. Papers should be no more than 20 minutes in length, making a significant original contribution to scholarship. Papers that are primarily reports or demonstrations of tools or projects are discouraged.

2.    Panels. Panels may consist of either three associated papers or four to six roundtable speakers. Roundtables should address topics of broad interest and scope, with the goal of fostering lively debate with audience participation.

3.    Workshops. Workshops should propose a specific problem, tool, or skill set for which the workshop leader will provide expert guidance and instruction. Examples might be an introduction to forensic computing or paleography. Workshop proposals that are accepted will be announced on the conference Web site (http://www.textual.org) and attendees will be required to enroll with the workshop leader(s).

4. Submissions may also take the form of Open Fishbowl sessions. Drawing on the expertise of both speakers and attendees, Fishbowls are small group discussions in which 5 initial participants face one another in a circle, in the middle of the larger audience. Participants cycle out as audience members join the inner circle to create dialogue across perspectives and different types of research. Submitted proposals should include a brief statement as to the core idea or theme for the fishbowl, emphasizing its relation to conference themes or relevance to the larger Textual Studies community. Naming some or all of the initial five “fish” is encouraged. Potential topics for Fishbowl session might include, for example, “Minimal Computing, Globalized Editions,” “Participatory Editions,” and “#ArchivesSoWhite.”

 

Proposals for all formats should include a title; abstract (250 words max.) of the proposed paper, panel, seminar, or workshop; and name, email address, and institutional affiliation for all participants. Format should be clearly indicated. Seminar, fishbowl, and workshop proposals in particular should take care to articulate the imagined audience and any expectations of prior knowledge or preparation.

 

All abstracts should indicate what if any technological support will be required.

Inquiries and proposals should be submitted electronically to https://goo.gl/forms/B6xi4SmZAkmwWB9o2/. Responses will be sent by March 10.

 

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